What the world thinks spacecraft scientists/engineers do…

18 11 2014

Well, ramping up to the birth of our second child, (daughter Sloane on 08/05/14!), I’ve been completely absorbed by family by night and the incredible clip at work at Bigelow Aerospace by day.  -And amidst it all, I’ll admit that there is a visceral seduction in the elbow-grease-saturated chaos.

So, with this in mind, during one of my recent sleepless expanses I had the midnight inspiration to create a “What the World Thinks” meme.  It targets (with a little wry self-awareness) the increasing number of us toiling to break open spaceflight in the 21st Century the way pioneers did so for aviation in the early 20th:

WhatSocietyThinksIDo

Feel free to use/forward freely, and Semper Exploro!

Cheers,
Ben

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Telepresence, Androids, and Space Exploration

13 06 2012

Our culture is replete with examples of androids and humanoid robots in space.  From David in Ridley Scott’s brand-new film, Prometheus, to the iconic C-3PO in George Lucas’s Star Wars, androids and humanoid robots are often portrayed as our trusted servants and protectors, capable of tasks we ourselves cannot or will not perform. 

Further, the related idea of a person using a surrogate, technological body to survive harsh environments is nearly as old, most recently exemplified by the title character’s lab-grown hybrid body in James Cameron’s recent film Avatar.

These notions are sensible ones for three primary reasons:

  1. Space travel and planetary exploration of any significant distance or duration presents a harsh environment from multiple fronts – psychological, physiological, temporal. 
  2. Maintaining a human form-factor means that these androids will be able to use the same equipment and vehicles as has been designed to accommodate the rest of the crew, a clearly efficient attribute. 
  3. It has been shown that human beings interact more comfortably in may cases with anthropomorphized machines – easing crew comfort.

Well, it appears that reality is finally catching up to these sci-fi archtypes (or, arguably, proving that by defining our expectations science-fiction often acts as a self-fulfilling prophecy.)

Roscosmos’s SAR-400

Russian telepresence android SAR-400 at a workstation. (Credit: RSK)

As detailed in a story from The Voice of Russia here, the Russian space agency, Roscosmos, has long been developing the SAR-400, a telepresence robot they term an “android.”  (Note: The definition of what qualifies as an android is still a little loose.)  SAR-400 is designed to act as an astronaut surrogate whenever possible, particularly during spacewalks, to reduce safety risks to the humans aboard the International Space Station (ISS). 

While no plans to send a SAR-400 to space have been announced, this project is extremely similar to a beleagured NASA project of parallel design and scope that is already aboard the ISS.

NASA’s Robonaut-2

Robotics Industry Association President Jeff Burnstein shakes hands with GM-NASA telepresence android “Robonaut 2.” (Credit: RIA)

The NASA Robonaut project, with a lengthy history dating back to conceptual work performed in 1997, is a telepresence robot sharing a nearly identical design with the SAR-400 that is intended to perform work in space and on planetary exploration missions.  (On an interesting side note, during the early 2000s Robonaut’s cosmetic “head” bore an uncanny resemblance to the highly-recognizeable Jango/Boba Fett costume helmet of Star Wars fame.) 

This culminated in 2011 with the launch of a test Robonaut-2 (R2) to the International Space Station.  While the robot has been configured to integrate with the station systems, the robot has seen little real use due heat-dissipation and other technical difficulties.  However, limited tests are proving favorable and increasing the likelihood that that future semi-autonomous telepresence robots will be considered part of the crew.

Robonaut project manager Roin Diftler is quoted as saying that their final objective is “…relieving the crew of every dull task and, in time, giving the crew more time for science and exploration.”

Implications for human space exploration

In a very direct way, this technology reopens the classic debate about whether or not the future of space exploration involves astronaut human beings at all.

Opponents to human-based space exploration cite costs and logistical complications, while proponents note that human beings still exhibit unique learnining, problem-solving, and innovation capabilities necessary for frontier work that are far beyond the ability of modern artificial intelligences. 

Bishop (341-B), a benevolent android and space crewmember from the film “Aliens.” (Credit: 20th Century Fox)

Perhaps, instead of replacing humans on the frontier, the future will be a hybrid approach as has been the case so far.  As R2’s program manager implied above, perhaps the ultimate solution is to cater to our strengths – in androids, an unblinking sentinel, able to perform repetitive or tedious tasks without tiring and work in dangerous environments without suffering the effects of stress; in humans – creative problem-solvers and pioneering explorers with the ability to innovate, and perhaps more importantly, to inspire.

In this light I’m strongly reminded of Bishop, the “synthetic person” artificial intelligence from the James Cameron film, Aliens.  A good guy strictly governed by Asimov’s Three Laws of Robotics, Bishop is shown to accompany space crews into unknown territory, operate equipment, pilot vehicles, perform analyses, reduce data, and save the day on multiple occasions. 

Might Robonaut-2 and the SAR-400 be the equivalent of a real-life Bishop’s distant ancestors?  Time will tell.  

However, in this character, science fiction has erected a sensible guidepost for what future android integration into space crews for the purpose of enabling human space exploration would look like.





What does space sound like to you?

20 05 2010

In space, no one can hear… well, anything.  And this raises an interesting question to me: What does space sound like to you?  -Because for a place physically incapable of transmitting sound, there are an awful lot of sounds that come to mind when we think toward the stars.

Laser cannons?  Phasers?  Lightsabers?  The roar of fictional fighter spacecraft or the whoosh-crack as starships rocket to hyperspace or warp speed?  Or how about the musical themes that accompany them?

For instance, anyone who’s seen the movie 2001 has had their association of Strauss’s The Blue Danube permanently altered:

Waltzing (docking) with the Space Station. Credit: MGM

I come from a very musical family.  My parents are both professional musicians and music professors, my dad is also a conductor and composer, and my brother is a good musician and composer in his own right.  Even I, (the black sheep scientist of the family,) managed to gig my way through college with a jazz quintet to give the geology side of my brain a rest… so for me, space has some very specific musical attachments.  -And frankly, I think our journey towards the stars is better for the associations.

Like Aaron Copland established for many what would come to epitomize an “American” sound, so too have John Williams, James Horner, Jerry Goldsmith, and a bevy of other composers established the anthems for our progress toward the stars.  To top them off for me specifically is a single moment where the U.S.S. Enterprise is revealed for the very first time on the “big screen” in the original Star Trek: The Motion Picture:

Starship Enterprise in spacedock, one of my favorite space musical moments. Credit: Paramount

Composer Jerry Goldsmith made an interesting choice here in scoring the music for this scene.  There are more than a few ways he could have played it.  However, instead of using what may have been the more obvious awe-inspiring low tones or flighty strings, he decided to cater to an even more inspiring emotion we can attach to space:  Triumph.

The music here is a broad, brassy rendition of the movie’s main theme, which invokes feelings of an arrival (of sorts) and a fanfare for the beginning of an adventure.  For me, this is absolutely what space is supposed to sound like.  It’s about rising to our destiny and becoming something greater than we were.

So, that’s me.  What does space sound like to you?








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